3.0★ ★ ★

NotMoses

Gary Sinyor’s first play ‘NotMoses’ draws its narrative arc from the Old Testament books of Genesis and Exodus. It comprises a sequence of scenes, which start with the original patriarch, Abraham, and con...
4.0★ ★ ★ ★

Boris Godunov

An interesting, yet traditional, reading of Mussorgsky’s masterpiece is presented at the Royal Opera House in the original (1869) seven-scene version, which plays 130 minutes without interval and without the...
3.0★ ★ ★

The End of Longing

At the end of the press night performance of The End of Longing, a large part of the audience gave the four actors a standing ovation. You could attribute the response to the presence on stage of Matthew Perry,...
4.0★ ★ ★ ★

The Magic Flute

The Magic Flute has never lost its enchantment since it was first premiered in a small theatre in Vienna in 1791, three months before Mozart’s death, leaving this masterpiece for directors and conductors to e...
3.0★ ★ ★

Found and Lost

The declared objective of this production is to offer a sonic journey to reveal ‘the secret life of the hotel’. You may think this to be a cynical exercise by the hotel’s proprietors to promote their busi...
4.0★ ★ ★ ★

The Mother

An Oedipus complex in reverse with symptoms of nervous breakdown, cushioned by sleeping pill and ’the little blue pills’ washed down with white wine, leave fantasy and reality fused and defused. Sounds co...