Writer Lesley Hart and director Polina Kalinina bring plenty of zest and visual panache to this ambitious production of Russian classic Anna Karenina....
After first delighting audiences three years ago with Pride and Prejudice* (*sort of), Isobel McArthur returns to the Lyceum with her distinctive bran...
Macbeth (an undoing) is a well-meaning attempt to recentre William Shakespeare’s famous tragedy on the figure of Lady Macbeth (Nicole Cooper), as oppo...
It’s been a mere three years since The Lyceum last staged An Edinburgh Christmas Carol. However, it is easy to see why the accompanying lifetime of ch...
There is a moment in the National Theatre of Scotland’s production of Medea when Adura Onashile – playing the titular character – stands stock still, ...
The subject of choreographer Kyle Abraham’s new work is clear from the title. Although the dance celebrates the extraordinariness and complexity of lo...
This modern-day reworking of Léo Delibes’ Coppélia is an eerie, propulsive, visually arresting but often infuriating ballet. While the music and chore...
In Sri Lanka, in July 1983, thousands of Tamil civilians were killed during a week of vicious rioting. This horrific period in the country’s history h...
Red Ellen tells the epic story of inspiring Labour MP Ellen Wilkinson, a figure and a story that certainly deserve to be much better known. The play f...
From a new young company of actors comes Seven Against Edinburgh – the story of the first female students to be matriculated in any British university...
