Killology

  • Drama
  • By Gary Owens
  • Director: Rachel O’Riordan
  • Cast: Sean Gleason, Richard Mylan, Sion Daniel Young
  • Royal Court, London
  • Until 24th of June 2017
  • Review by Chris Bridges
  • 3 June 2017
Killology
5.0Reviewer's Rating

Killology is the eagerly anticipated new play by Gary Owen’s, writer of the award winning ‘Iphigenia in Splott’. It definitely fulfils the promise of his previous works and proves Owens is a writer of exceptional insight and talent.

It’s a dark and visceral journey into the lives of three men, told through interconnecting monologues. The father of a son involved in a horrific incident sneaks past security and waits in the bathroom of a luxury flat to kill the occupant when he returns. A wealthy young businessman reflects on his competitive relationship with his father and his stellar career as a violent video game creator. A teenager talks about the bullying he is subjected to and talks about his absent father.

Gary Owens has a reputation for tackling disturbing subjects and this play is no exception. Much like ‘Iphigenia in Splott’ he cleverly toys with the preconceived notions we have about people on the fringes of society and the things that we rarely talk about. The actors stand on a bleak, damp set of shiny black plastic and coiled wires with a child’s bicycle suspended above it. There’s a discordant backdrop of low level sounds with stark lighting changes underlining the speeches. The action flits seamlessly between the three characters and they all deliver the tightly written speeches with skill.

There are humorous moments but overall it’s an uncomfortable and disturbing play but one worth watching for many reasons. Owens’ compassion for his characters is clear to see, as is his talent to dissect and scrutinise society and humanity. His talent to manipulate the audiences’ emotions is breath taking. There are moments of truth and illusion and a final sickening clarity to the piece in the last moments of the play. It’s the sign of good drama when you’re left thinking about the play for some time and Owen’s manages to leave you with a disquieting contemplation that will linger.

About The Author

Profile photo of Chris Bridges

Chris Bridges is an avid theatre goer who is based in South London. He's been a lifelong theatre fan and loves dramas, musicals and comedy. He is a big fan of Tennessee Williams and has been known to travel extraordinary distances, queue for hours or pay exorbitant amounts to catch anything by Tennessee. Chris is also a vintage fanatic and when not lounging in the stalls in a three piece 50s suit, he can be found lolling on a sofa in his art deco sitting room.

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