Michael Tucker’s Fern Hill, now playing at 59E59, was first developed at the 2017 Eugene O’Neill Theater Center’s National Playwright’s Conference and...
Grab your walking shoes and ditch your large bags, folks - this show requires your hands free to hold a candle, applaud, and perhaps wipe some stray t...
This is a swirling mix of very dark poetry and even darker humour presented with a powerful Brechtian soundtrack. The performance is non-linear but su...
Bellini’s last opera, I Puritani, premiered in Paris at the Théâtre-Italien in 1835 and it was an immediate success. Just a few months later an illnes...
I must confess, that one of the main reasons I so wanted to see this production of Rigoletto at the Teatro alla Scala was to hear and see the legendar...
La Scala’s audience will not tolerate mediocracy from their leading singers nor from their orchestra. They love their operas and expect from their ens...
Restaurant Ukraine is a deliberately disjointed affair. Made up of two performers mixing spoken word, dance, rap and political commentary it is more h...
Red Wedding is an interactive piece with an interesting cultural past and much to recommend it. It explores through the enactment of a secular wedding...
Modern Slavery is not really a play in the traditional sense. It is a collaborative piece in which each of the cast has researched different aspects o...
