This year, at the Avignon ‘Off’ festival, Jacques Osinski’s take on La Dernière Bande provokes a particular excitement. When I enter the Théâtre des H...
When I first read about Seasonal Affective Disorder and its Bonnie and Clyde-esque story, I was curious to see how this tale of lovers on the run was ...
One of the highlights of this year’s “In” edition of the Avignon Festival is avant-garde director Meng Jinghui’s adaptation of The Teahouse, a major C...
The Lingering Now is one of the most promising plays that you could hope for in the “In” Festival d’Avignon: it is described as firmly politically eng...
The “Off” Festival in Avignon is a place where you can find little plays from all around the world offering unique attempts to create something new. I...
Molière’s Le Misanthrope is a French classic from 1666, and its main character Alceste is one of the most famous characters in French theatre. In Clém...
Anyone who loves dogs will adore Dog Man: The Musical. Anyone who believes felines are unjustly accused of being catty will find satisfaction that, no...
The show begins when the ushers were still giving out programmes to the audience: the music composed by Jamie XX begins with a noise that could be mis...
In the past two weeks, I have time-traveled, hopped from coast to coast, boosted my language-learning skills, laughed, cried, and everything in betwee...
My next observation is nothing more than my opinion, on the one hand, although backed up by deep observation on the other. As a millennial myself, I w...
