This iteration of “Shakesbeer,” titled “The Games We Play,” features four scenes, each in a different bar, and each turning on, predictably, a game. T...
Before seeing Electre/Oreste at the Vieux-Colombier theatre, I had seen its stage covered with a lot of things: beer, feathers, tissues, confetti, san...
What lies behind that bright, shiny sheen of the Martha Stewarts, Giada De Laurentiis, Paula Deens and Ina Gartens? As time and the news has shown for...
Reviewing The Passenger is a very unusual and challenging task. An opera that brings to life the very dark days of Europe during WWII is performed in ...
As they say, “love is a battlefield,” and every warrior on that battlefield believes they know the strategies to make love bow down to their will. Som...
There is a seemingly infinite amount of questions to grapple with when it comes to the end of our lives. Will it hurt? Do I need help? Should I be all...
In the beginning of The Tempest, the audience is asked if we have ever felt enough rage that would raise a tempest with the sheer force of our anger. ...
Dalida may not be a name as instantly recognizable, let alone undoubtedly iconic, to American ears as it is to the French. But the mission of Fragment...
A young white man enters a dark planetarium, wielding a gun, and opens fire. One of his bullets rips young black girl from her mother beneath the cold...
