A premier at the Zurich Opera has probably never drawn so much international attention than the one of this production in early November. The reason f...
Monica Bauer’s Vivian’s Music, 1969 - currently at 59e59’s Theater C, under the direction of Glory Kadigan - is a “fantasia” inspired by real events: ...
The universality of William Shakespeare’s plays was already recognized by his contemporaries. Ben Johnson believed that the Bard’s poetry is “not of a...
When Goethe published The Sorrows of Young Werther in 1774 he was criticised as idealizing acts of suicide. Many readers have simplified the message a...
Walking into the Public Theater’s Martinson Hall feels like stepping into a fun karaoke bar in Koreatown. It’s full of neon, plastered with blown-up c...
Who says the arts and the sciences don’t mix? Not The Female Role Model Project. This show, produced by Transforma Theatre, Inc. at 3LD Art and Techno...
Marking 50 years since the death of Robert F. Kennedy, the new solo show “Kennedy: Bobby's Last Crusade” chronicles the four months of RFK’s 1968 pres...
Breaking up is hard to do. That is a sentiment that crosses race, gender, sexuality, and any other factor we might come across. The modern breakup see...
Treating the Samuel Beckett’s detailed directions with utmost reverence leaves a director with a limited creative scope. I may go as far as to say, th...
Puccini’s Tosca is based on Sardou’s play, which observes Aristotle’s unity of time as its action unfolds over eighteen hours on 17-18 June 1800. The ...
