Ηere, nobody lives. Here, nobody remembers, says Mina devastated at the epilogue of The Missing Ones: An Interesting Life. As Katsikonouris’ play reac...
Tom Stoppard's Arcadia is arguably about the nature of genius (among other things), but sadly the genius in tonight's production, with a few exception...
A cloud of mystery will always hang over the private life of William Shakespeare. One of the most intriguing characters in his story is musician’s dau...
Opera Atelier's Canadian Premiere of Handel's Alcina meets every expectation that we have of the company – it is sexy, smart, visually delightful, and...
If the National Theatre of Greece had staged Mephisto, say, five years ago, the show wouldn’t have the resonances that it has for the Athenian audienc...
As I sit down to write this review, I remember the gut wrenching howl rising from the depths of a human soul as an old man staggers forward carrying h...
When Peter Sellars was commissioned to reprise his 2011 production of Handel's Hercules for the Canadian Opera Company, I expected the effect to be po...
La Cantatrice Chauve (The Bald Soprano) has played more than 17,000 performances at the Theatre de la Huchette and has continued to charm audiences f...
Large scale theatrical productions in big venues, although popular, are often treated with suspicion by Athenian audiences. Aiming at a larger target ...
