England

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Richard III

Richard III is a bloody play, and this is a production that emphasises the violence from the explosive first scene. In dimmed red light, on a red mat,...
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Queen Anne

I was out of the country when Queen Anne opened and finally caught up with it only at the very end of December. It has had much praise – and for me th...
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Les Liaisons Dangereuses

The set of Les Liaisons Dangereuses is gorgeous, peeling paint walls and grandiose period furniture half-draped with dust sheets, a sense of opulent d...
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Annie

The touring production of Chatrles Strouse, Martin Charnin, and Thomas Meehan’s Annie is the Christmas Show at the New Theatre in Oxford this year and...
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Aladdin

The pantomime season is upon us and I have just attended the Oxford Playhouse contribution to the genre for 2015 – Aladdin. As always, there are outra...
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Wendy and Peter Pan

Ella Hickson deliberately renames her adaptation of J.M.Barrie's classic novel, and with good reason. In this revival of their original production, th...
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The Nutcracker

From the tips of fluttering snowflake fingers and gnarly rat’s claws, right down to the sturdy soldier boot, Peter Wright’s production of the Nutcrack...
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Love for Love

Though one of the most revered texts of English literature, Congreve’s “other” Restoration Comedy is rarely played these days. For that reason alone, ...