Alexander Neef, General Director of the COC, describes Verdi’s Rigoletto as “incendiary”. He situates this production within a historical moment where...
Peggy Baker Dance Projects’ Split Screen Stereophonic reprises four masterworks from the company’s recent repertoire. While each piece has its distinc...
As the lights went down in the Festival Theater, expectations were high. The venue was packed to capacity as this Canadian summer ritual enfolded. The...
There is a reason why The Merry Wives of Windsor is not one of Shakespeare’s most-loved plays, nor one of his most-studied: it is, largely, froth. How...
At the end of Soulpepper's world premier of The Dybbuk, or Between Two Worlds, the audience leapt to its feet, giving the entire cast a standing ovati...
If there is a play in Toronto that must be seen right now, I would say without any hesitation that it is Mahmoud. This one-hour, one-act solo performa...
