Home
Reviews
Reviews

Fatherland

Poppea

Der Wald & Lucrezia

Othello
- UK Reviews
  - London
  - England
  - Scotland
  - Wales
- International Reviews
  - Argentina
  - Austria
  - Canada
  - China
  - Czechia
  - France
  - Greece
  - Germany
  - Israel
  - Ireland
  - Japan
  - Italy
  - Monaco
  - Poland
  - Portugal
  - Romania
  - Spain
  - Sweden
  - Switzerland
  - USA
- Opera Reviews
- Book Reviews
- Young Reviewers
- Reviewer Guidelines
Interviews
Interviews

Louis Davison on The Poltergeist at Arcola Theatre

Michael Jamin – From Hollywood to Edinburgh

Classical Theatre of Harlem’s Ty Jones Looks to the Future

Power, Wit and Baroque: Sophie Gilpin on Her Bold New Pimpinone
Features
Features

Dead Man Walking

Anne Boleyn. The Musical

From Page to Stage: Yiddish Voices Behind Fiddler on the Roof

Beyond the Libretto: How Music Tells Women’s Stories in Opera
Insight
Insight

From Page to Stage: Yiddish Voices Behind Fiddler on the Roof

Beyond the Libretto: How Music Tells Women’s Stories in Opera

Rebellion, Resignation, and Survival in Ibsen, Chekhov, Rattigan, and Williams

Lettice & Lovage – in aid of Alzheimer’s Research UK
Festivals
Festivals

How To Date

L’Italiana in Algeri
Rossini Opera Festival 2025

La Cambiale di Matrimonio and Soirées Musicales
Rossini Opera Festival, Pesaro – 2025

Zelmira
Rossini Opera Festival 2025
Contact

About
- Our Team

OUP publicity image

Our Mission

Plays To See explores diverse cultures through the medium of the performing arts. It aims to promote interest in the theatre and foster dialogue, understanding and appreciation for different artistic productions around the world. Our scope is wide-ranging, from Greek tragedy to stand-up comedy; from ballet and opera to mime and experimental theatre.

Follow Us

Copyright © 2024 Plays To See
Charity No: 1151193

Privacy
Terms of Use
Contact Us

Type to search or hit ESC to close

See all results

Username

Password

Type in the text displayed above

Remember Me

Enter username or email

Cancel