Your Image Alt Text

Waste

Harley Granville-Barker is nowadays not a well-known name at all, and yet a century ago he dominated the London theatre scene. He was the lead actor i...
Your Image Alt Text

Jane Eyre

The defining aspect of Cookson’s production of Jane Eyre is fluidity: the set consists of wooden platforms, staircases, and white drapes, creating an ...
Your Image Alt Text

Our Country’s Good

Anchored by the full force of the National’s staging abilities, Our Country’s Good transports us to 1787, early in the long colonisation of Australia....
Your Image Alt Text

Three Days in the Country

Turgenev’s masterpiece has lured many writers to take up the challenge of adapting it for their own times. In this fine National Theatre production, P...
Your Image Alt Text

The Red Lion

This new play by Patrick Marber is about many things: football, morality, ritual. Above all, however, the play poses the question, what does it mean t...
Your Image Alt Text

The Hard Problem

Tom Stoppard is one of Britain’s most prolific playwrights, and one of the few to have produced a new piece in every decade that the National Theatre ...
article placeholder
Your Image Alt Text

The Silver Tassie

Sean O’Casey’s anti-war play was famously rejected by W B Yeats for its first production at the Abbey Theatre in Dublin. Yeats may have had good reaso...
article placeholder
Your Image Alt Text

A Small Family Business

Alan Ayckbourn apparently hates being described as a political playwright but “A Small Family Business”, revived at the National Theatre 27 years afte...
article placeholder
Your Image Alt Text

King Lear

King Lear may have a reputation as the summit of Shakespeare’s craft as a tragedian but it is a play that too often eludes the director and exposes th...
article placeholder
Your Image Alt Text

Liolà

Sicily, summer 1916. The village women finish harvesting Old Simone’s almond crop, and we are introduced to the characters through their cheerful sing...