I love this show. I can’t deny it. Not just because it sounds far bigger than the tiny space it’s now inhabiting (thanks to Tim Sutton’s new orchestra...
The St James Theatre is no more, having been bought by Lord Lloyd Webber and renamed The Other Palace with the intention, as stated in the programme t...
Eight weeks into 2017, and I’m happy to say we have a new bona fide feel-good hit in the West End in the shape of The Girls, Tim Firth and Gary Barlow...
Death Takes a Holiday, the Yeston/Stone/Meehan musical which has just opened at The Charing Cross Theatre boasts accomplished direction, a great cast,...
One-Woman shows are notoriously difficult to pull off successfully and, if I’m honest, I don’t believe O Come All Ye Divas, the American impressionist...
Bernard Pomerance’s 1977 play, The Elephant Man, detailing Joseph Merrick’s wish to be treated as a ‘normal’ member of society, after being discovered...
Musical of the Year, the show currently playing at The Lost Theatre on Wandsworth Road, is a rough re-telling of Victor Hugo's 1831 novel The Hunchbac...
I’d forgotten just how tedious the first act of Floyd Collins actually is. That’s not to say that this is a bad production. Far from it. Jonathan Butt...