Sophie is a 22 year old English graduate from London, and has been reviewing for Plays to See since she was 15. At UCL, Sophie was the Editor-in-Chief of SAVAGE Journal, UCL’s arts and culture publication and the most popular magazine on campus, and editor of the London branch of Blueprint, a mental health zine. She also enjoys writing about music, and has words in Music Week and music-news.com. In her spare time, when she can, she writes poetry and short stories.
After getting stellar reviews at the Edinburgh Fringe, Tonight I’m Gonna Be The New Me, the latest piece by theatre company Made In China, has transfe...
As part of “Grimeborn,” what Time Out describes as “London’s hippest festival of new and underground opera,” the Arcola Theatre has produced Marsha: A...
It is a rare experience to leave the theatre feeling raw, real emotion; it is even rarer to have that sensation travel home with you, and stay with yo...
Fucking Men originally appeared at The King’s Head Theatre in 2009, running for 9 months - an unusually long time in the world of fringe theatre. Now,...
Secret Studio Lab is an underground theatre company, founded in 2007. It has returned to London’s East End after sold-out runs in New York and Hollywo...
The Taming of the Shrew is no stranger to adaptation - the 1960s film starring Richard Burton and Elizabeth Taylor has become a Hollywood classic, as ...
The decline of the North of England (post-Thatcher) is a theme that has been well examined in various films, plays and musicals over the past few deca...
Sometimes, in the ‘comment’ section of the more left-wing papers, an article will materialise about the damaging effects of war, or the difficulties t...
Tom Stoppard is one of Britain’s most prolific playwrights, and one of the few to have produced a new piece in every decade that the National Theatre ...
In 2010, a footballer, a prince and a Prime Minister met in a Swiss hotel room. Their objective was to win England the chance to host the FIFA World C...
