Lea Michelle as Fannie Brice makes Funny Girl sing again on Broadway for the first time in more than 50 years, and she sings it well. She reminds the ...
Michael Shell’s production of The Barber of Seville contains more farces than usual, perhaps an attempt of the Atlanta Opera to introduce some light i...
Joshua Harmon sets out to question our relationships to home, family, and religion. What would we do when we must choose between them? Would we leave ...
James Robinson’s smash production of Porgy and Bess returns to the Metropolitan Opera after 2 years. Amongst a stellar cast, Eric Owens and Angel Blue...
The McKittrick Hotel is the perfect NYC spot for Halloween. From their signature immersive Sleep No More experience to their Hitchcock/Macbeth-themed ...
Islander makes one statement clear almost from the top: white men are fragile. And sometimes there is no greater way to exhibit fragile masculinity an...
The McKittrick Hotel has finally reopened its doors, and it is serving up something much needed: impeccable speakeasy vibes mixed with a healthy dose ...
A refreshing breeze drifts through the newly-reopened doors of the Delacorte Theater. The amphitheater seats are filling, and the warm stage lights li...
Follow me, if you will, to Verona, for the perfect pandemic vacation. A whirlwind of lavish parties, dramatic duels, first loves, and tragic ends is j...
Most Americans that think of Butoh imagine it as a Japanese avant-garde dance performed by bald, chiseled men, naked except for a loincloth and a full...
