Sarah Ruhl, the funny, sensitive somewhat absurdist playwright of our time, interpreting Anton Chekhov, the grandfather of it all-- what a treat. In h...
This play is a tapestry of culture and menace that refuses to release you from its grip. Crime scene dead body outlines on the floor are integrated into a vibrant folkloric design...
Why do we love a backstage story so much? And this is the ultimate one, if you can even call it a story. Playwright Anne Washburn brilliantly gives us...
That was so...cultural, deadpans the white-jacketed American after a scene of violence and otherworldly closeness with departed spirits in Mexico, as ...
There should be a medal for even trying to mount this theatrical Everest, running minimum three hours mostly among four principals, scaling the height...
