Every unhappy marriage is unhappy in its own way, and that famous first line might be applied to Max Baker’s play about the disintegration of marriage...
First produced at London’s Bush Theater in 1993, Helen Edmundson’s The Clearing is about Oliver Cromwell’s horrific policy of ejecting the Irish from ...
Before there was Diane Arbus, before Vivian Maier, there was Alice Austen of Clear Comfort, Staten Island. She had an indefatigable nature and overca...
As we enter the theater, we get an audial hint of what’s to come with Madonna’s Material Girl. Playwright Ridley amusingly presses the question “What...
We enter assaulted with deafening, thumping music, preparing us to have our ears and minds thumped with Alice Birch’s linguistic and very theatrical a...
Suit the action to the word, the word to the action, Hamlet famously exhorts the players. The vigorous fusion of word and action in Bedlam’s madcap pr...
A delightfully neurotic tenant who doesn't pay her rent hires a lawyer who rambles on in spasmodic legalese. The fun has only just begun in this gleef...
During Daniel Fish’s interdisciplinary and complex work, Who Left This Fork Here, I was struck by the admonition given to me growing up: Don’t overana...