In this season of 90s revivalism – the fashion, FRIENDS on Netflix, the Jumanji remake – My Mum’s A Twat fits right in. The set has truly ramped up th...
In the preface to Wings, playwright Arthur Kopit emphasises the scientific knowledge required to direct this play, and the understanding of brain trau...
To fly, you must be young, and innocent, and heartless – or so Wendy (Madeleine Worrall) tells us, and it is this emphasis on the heartlessness of ete...
The Master Builder is a play about the spaces in between, a theme that Howell’s stunning set emphasises: it is full of slicing geometric shapes, slant...
More tribute concert than theatre, Be Bop A Lula nevertheless is a rambunctious, fun-filled show, perfectly pitched at its audience of rock ‘n’ roll l...
Writer Peter Souter’s first play, Hello/Goodbye, was originally performed in the Downstairs venue of the Hampstead Theatre, but moved to the larger up...
Miss Havisham’s Expectations takes Charles Dickens’ Great Expectations and focuses in on the much-maligned Miss Havisham (Linda Marlowe), often seen m...
Jorge Borges was a 20th Century Argentinian writer whose writing transcended the traditions and genres of the time, and who was greatly interested in ...
