In his 1950s heyday, N.C. Hunter was known as the ‘English Chekov’. His gentle comedic dramas were performed by actors from John Gielgud to Vanessa Re...
In the Edinburgh Fringe Festival Programme, Anyone’s Guess How We Got Here is described as ‘ a road trip. A haunted house. A bedtime story. A photo al...
2017 has been a rough year, so far; 2016 was no better. Brexit, Trump, wars and climate change are all making the world feel less and less stable. It ...
To be woman is to be assessed. Everywhere you turn, people expect things of you; things that, sometimes, you are unable to deliver. A long term partne...
The British press have been fixated on London’s housing crisis for the past five years or so. Hardly a day goes by without seeing a headline about soa...
Rare is it to see a play told entirely from the perspective of a child. In Under the Bed, we are transported to the darkly magical world of Alice, who...
When Frank Marcus’s The Killing of Sister George opened in 1965, it was a controversial piece. It was one of the first plays to depict a lesbian relat...
America shares the death penalty with countries such as China, Iran and North Korea. Lucy Roslyn explores this (as well as issues surrounding women’s ...
In the current political climate, what with ISIS, the Israeli-Palestine conflict and our British lack of a spiritual identity, it is impossible to esc...
After getting stellar reviews at the Edinburgh Fringe, Tonight I’m Gonna Be The New Me, the latest piece by theatre company Made In China, has transfe...
