Norma

  • Opera
  • By Vincenzo Bellini
  • Original Director: Alberto Fassini
  • Revival Director: Vittorio Borrelli
  • Conductor: Daniel Oren
  • Cast includes: Hrachuhi Bassenz, Gustavo Porta, Jennifer Holloway, Carlo Striulli, Guy Mannheim, Anat Czarny
  • The Israeli Opera, Tel-Aviv
  • Until 17th December 2016
  • Reviewed by Shmuel Ben-tovim
  • 4 December 2016
Norma
5.0Reviewer's Rating

Rarely, you are fortunate enough to leave the Opera house after the final curtain with a fantastic sense of elation, so grateful for the experience you have just been blessed with. On the following day you start analysing the previous night more calmly – only to find out that not everything was so perfect. This is exactly what I went through after this fantastic production of Norma at the Israeli Opera, the opening night of its 2016/17 season. Yet, I’m not retracting my original 5-star rating, because that elation is still with me, nevertheless.

Bellini’s Bel Canto masterpiece is one of the most popular opera scores ever. The flipside is that whenever you listen to a live performance of Norma there are some elephants in the room, such as the voices of Callas, Tebaldi or Caballe in the lead role. The danger gets even more profound as the greatest hit of opera, the soprano’s prayer Casta diva, arrives as early as Act I. Alas, it took some time for Hrachuhi Bassenz to warm up, and her version of the aria was not as powerful and promising. Only later on, and in particular in Act II, it became apparent why this Armenian huge talent was chosen for the role: great warm voice, very precise in the technically challenging parts of her role and with excellent dramatic skills. Both Gustavo Porta, as the Roman proconsul Pollione, and Jennifer Holloway, as his lover Adalgisa enjoy powerful voices and notable dramatic presence. Carlo Striulli, Guy Mannheim and Anat Czarny have minor roles in this opera, but they all performs them very skilfully.

So what made this evening so unforgettable? Firstly – the theatrical achievement. Vittorio Borrelli’s remaking of Alberto Fassini’s original staging created a top dramatic and well-streaming impression of a very static plot. Combined with the simple yet innovative set design of William Orlandi they created a breathtaking stage. Secondly, of course, was Maestro Daniel Oren. He always carries with him so much energy and enthusiasm that infects every individual person in the production. Even more so in this production, especially visible in his orchestra which has rarely sounded so full-bodied and exciting.

When both drama and music perform simultaneously so perfectly – this is when you get great opera.

 

Sung in Italian with English and Hebrew subtitles

 

About The Author

President, City TLV

Shmuel is the President of City TLV, a Director at Ben-Tovim Consultants Ltd. and a Board member of the International Harp Contest. His career has covered both the private and public sectors. From 2005 to 2010 he was seconded to the Embassy of Israel in London as Minister for Economic Affairs. Previously he had a tour of duty in New York where he became a regular at the Met.
From 1998 to 2005 Shmuel served as Mayor of Kfar Shmaryahu, where he pioneered unique concert and theatre series. He holds a BA in Economics and an MBA from the Hebrew University.

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