Shmuel is the President of City TLV, a Director at Ben-Tovim Consultants Ltd. and a Board member of the International Harp Contest. His career has covered both the private and public sectors. From 2005 to 2010 he was seconded to the Embassy of Israel in London as Minister for Economic Affairs. Previously he had a tour of duty in New York where he became a regular at the Met.
From 1998 to 2005 Shmuel served as Mayor of Kfar Shmaryahu, where he pioneered unique concert and theatre series. He holds a BA in Economics and an MBA from the Hebrew University.
Dead Man Walking is arguably the most performed contemporary American opera in the repertoire. This excellent production by the Israeli Opera provides...
As surprising as it may be, this is the first production of Jules Massenet’s Manon for the Israeli Opera. There were many bright spots in this product...
Reviewing The Passenger is a very unusual and challenging task. An opera that brings to life the very dark days of Europe during WWII is performed in ...
119 years after the great success of the opening night of Tosca in Rome, the audience in Tel Aviv was privileged to share a very similar experience. F...
This is one of Verdi's most neglected of his great operas. However, this production makes the case well for reviving Un Ballo in Maschera (A Masked Ba...
In 2014 pianist András Schiff wrote: “What is it with directors? Why is it that most directors find it so hard to fade into the background and stand i...
When Goethe published The Sorrows of Young Werther in 1774 he was criticised as idealizing acts of suicide. Many readers have simplified the message a...
My most vivid memory of a Carmen goes back to the mid 80’s when I was privileged to watch Zeffirelli’s own production at the Staatsoper Wien with Tere...
There were two prominent precedents set in this production. Firstly, the Rishon le’Zion Symphonic Orchestra, a regular in the pit of the Israeli Opera...
This was a classic opera production, a remake of original direction and design made for several Spanish opera companies. The story is grave, and so is...
