• Physical Theatre
  • London International Mime Festival
  • Jacksons Lane, London
  • Until 16th January
  • Review by Luke Davies
  • 16 January 2016
Al Seed: OOG
4.0Reviewer's Rating

Al Seed is a Glasgow-based physical theatre practitioner – and one of the founding members of the highly esteemed Scottish theatre company Vanishing Point. His latest creation, Oog, is a forty minute solo piece that explores the theme of war through movement.

Set in a dystopian mythical space reminiscent of a First World War trench, Al leads us through the psychodrama of his protagonist: his pain, his bloodthirstiness, his regret, his longing for escape, his retreat into alcoholism. All of this is set to a score by Guy Veale: a haunting industrial soundscape that follows Oog’s emotional journey.

Al is a highly accomplished performer. He moves like a broken automaton: mechanical, repetitive and glitchy. And there is a weight of feeling behind his performance. It’s unsurprising to discover that he’s worked with the Russian physical theatre company Derevo – who make similarly dark, impassioned and otherworldly shows.

Sometimes the show could have done with clearer narrative signposting. A few of the sequences were quite hard to make out: battle scenes, in particular, became indistinct from one another – and there were times when I felt there were details I was missing.

I also personally wanted clearer ties to modern conflicts. I don’t doubt that making a play like this in 2015 (when it was first performed) amounts to a political statement. Again, I’m standing up for the stupid people in the room by asking for that to be made a bit more explicit.

But it’s a great show – strange, emotionally charged and uncompromising.


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