Caroline Perret is a researcher and teacher in the Social History of Art at the University of Westminster. She is particularly interested in the impact of war on culture, from painting and sculpture to poetry and cinema, in which she publishes and gives conferences. She loves unusual artistic performances and theatre plays, anything that might expand her horizons and fulfill her hunger for new experiences.
Challenging two main stereotypes against clowns, the children’s party entertainers and the more horrific and twisted “Killer Clown” phenomenon, Coulro...
From its description as a show full of creative experimentation in which a young woman meets a kangaroo man in her dreams, one would expect to enter a...
Telling the all-too-familiar, yet deeply unknown, story of poverty and homelessness in Western society, “Hunger” is a poignant and much-needed call fo...
Together light-hearted and though-provoking, “Pyar Actually" is a rare gem of a play. Its text, written and performed by Sukh Ojla, a writer, actress ...
Divided into three parts with different groups of actors, "The Fall" is a daring and controversial new play by the National Youth Theatre, rich in bo...
The King’s Head theatre welcomes its audience into its intimate space, filled on this occasion with mesmerizingly emotional singing and acting. Stepha...
The artistic collective “Le Troisième Bureau” has for objective to critically distribute the theatre writing of today, and for the purpose, has opened...
All Genius All Idiot by young Swedish dance and circus company Svalbard is refreshingly and amazingly experimental, as it innovatively blends contempo...
