Hailing from Japan, Catherine Flutsch studied philosophy and law in Australia at Sydney University. She moved to the UK to practice law and to soak up the art and culture. After a career in corporate law spanning Sydney, Tokyo and London, Catherine left legal practice and moved to Oxford. During her time as a full-time parent, she developed a portrait painting practice. She subsequently set up a management consultancy firm. Being her own boss means that she has time to indulge her passion for theatre, art and dance. Catherine has a particular love for Shakespeare and a special interest in Shakespeare's historical plays.
Lucy Askew, the Chief Executive and Creative Producer of Creation Theatre, Oxford had a zoom conversation with critic, Catherine Flutsch, on 2 July 20...
Since lockdown, many parents have asked me whether I’d recommend online theatre to stream for their children. Until now, I have hesitated in recommen...
With its production of Charles Dickens’ Bleak House, Oxford’s Creation Theatre has done the impossible; it has presented us with a riveting, luxuriant...
Occasionally, a concert comes along in which every element comes together in some sort of divine perfection, creating a transcendent experience for th...
The wonderful thing about Oxford’s Creation Theatre is that it never plays things safe. This company always takes risks with its productions; re-envis...
The musical Six is a joyous, energetic and riotous cross between a girl band pop concert and a feature length episode of BBC children’s history show, ...
Ballet Black’s autumn show has something for everyone. Ballet Black is a professional ballet company for dancers of Asian and black descent. Set up ...
It’s a tough old gig being in the contemporary dance business. For audiences though, it’s a golden age. The genre is being pushed to its limits with t...
There is something truly magical about Emma Rice’s production of Malory Towers. Malory Towers is an adaptation of the series of six Malory Towers nove...
