Emma Burnell is a freelance journalist writing about politics and theatre. She has her own blog on immersive theatre (Soakedindreams.com). Emma recently completed an MA in Journalism and has worked in communications for think tanks and pressure groups for fifteen years.
Would you make a deal with the devil to trade 24 years of fun for an eternity of torment? That is the question at the heart of Marlowe’s play that exp...
It is Larkin’s centenary – he was born 100 years ago into a very different world. He died 37 years ago also into a very different world. But I questio...
Monster covers a really tough and difficult topic and does so with enormous humanity and real depth. It views a tragic and evil act through the lens o...
Francesca Martinez's debut play is full of righteous and well-earned anger that will leave all but those of the stoniest disposition alarmed, enraged,...
Stephen Smith is an extraordinary physical actor. The silent first five minutes of Dog (one of two short one-man pieces that make up the whole) are a ...
Tomorrow Night Live is a highly active and partially interactive take on both the daytime TV
format and political discussion shows. It introduces a p...
I was really expectant for this play. The premise offers so much interest in terms of an examination of human behaviour and frailties and relationship...
Jack Absolute Flies Again is a play the word ‘rollicking’ that could have been invented for. It is a knockabout comedy with more smut and innuendo tha...
Richard III is a play about the desire to achieve and retain power for its own sake. At no point is the exercise of that power what matters to the pro...
Twelfth Night is a raucous and joyous romp that perfectly suits this colourful and recently refurbished outdoor venue. The cast was charming and clear...
