He was born in October 2001 in Zurich, Switzerland. His passion for the opera began at an early age during a performance of Mozarts "Die Zauberflöte“. He was a member of the Zürich Opera Children’s Choir for nearly 10 years. He started taking singing lessons with Noemi Nadelmann, who helped him to get some soloist roles such as the Sheperd in Tosca, Appearance in Macbeth and Miles in The Turn of the screw. In 2018 he starred in the musical production "Fame" by the Theaterwerkstatt Freigymi in Zürich. In 2019/20 he is starring as an extra in some productions at the Zurich Opera. Also starting in 2019 he will be documenting the directing team's point of view in Zurich's new production of the opera "Iphigenie en Tauride" by Gluck, which he will then publish, as a final paper for his school leaving certificate.
He enjoys watching Opera Productions all around the world. He hopes to write more reviews and carry on singing.
Staging an opera that is set in Paris during a cold winter around 1830 at an Italian open-air festival in midsummer is definitely not an easy task. An...
Abbé Prévost’s Novel “Histoire du Chevalier des Grieux et de Manon Lescaut,” written back in 173,1 was an inspiration to many opera composers, includi...
A premier at the Zurich Opera has probably never drawn so much international attention than the one of this production in early November. The reason f...
It is barely believable how political decisions can ban a cultural masterpiece from the mind of a society for almost a full century. Owing to his Jewi...
It happens quite often that Giuseppe Verdi’s 1862 opera La Forza del Destino is criticized for its implausible and weak plot. The focus is the love be...
One of the most celebrated opera singers of our time giving a role debut, a story about a rivalry between two queens, as well as a narrative packed wi...
What makes a story still so relevant even though it’s a part of ancient legends that have their origin over 3000 years ago? It’s the identification wi...
All’alba vincero! Vincero! Vincero! After these last words of Puccinis world-famous aria “Nessun Dorma” you could hear the sound of 3000 people on their feet ...
