Megan is a second-year English Literature student at the University of Sheffield with a lifelong passion for theatre. She has participated in many theatrical productions, devised her own performances and has even written a research paper on the power of theatre to aid the social development of autistic children. She is particularly enamoured with the work of Shakespeare and how different productions take on the challenge of representing his plays, yet she enjoys all different types of theatre.
Sheffield University Performing Arts Society (SUPAS) is well known throughout Sheffield for its high standard, visually and audibly stunning musical p...
SUTCo is fast becoming an influential force on the Sheffield theatrical scene, by championing original pieces of theatre written by young adults and s...
Only Lucky Dogs, an emerging student-led company, once again barrels onto the Sheffield theatrical scene with another trademark dark comedy to tickle ...
I am constantly amazed and impressed by fringe theatre and what can be achieved with a simplistic set and costume when the acting and concept are so s...
Katy Dye is absolutely unflinching in her one woman exposition of the tandem infantilisation and sexualisation of women in contemporary media and wide...
“Lisa is running from someone, or something. Who, or what it is, she can't quite tell. All she knows is that in the daytime it lurks around every corn...
Shakespearean comedy meets The Only Way Is Essex – with a dash of EastEnders. Though these elements do not seem natural bedfellows, let me assure you ...
When I heard that the Liverpool Everyman – a theatre close to my heart and home - was putting on a production of Othello in which the protagonist was ...
Some might think that The Turn of the Screw – originally written by Henry James in 1898 – is as unadaptable as it is outdated. It is, indeed, a diffic...
It is often hard to do Hamlet – first performed around four hundred years ago, and one of Shakespeare’s most enduringly popular plays – in a new and e...
