4.0★ ★ ★ ★
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Evros: The Crossing River

Seemia Theatre’s new production, Evros, seeks to immerse the audience in the present refugee crisis: we follow Doaa, a nineteen year-old Syrian girl, ...
Tejas Verdes by Collide Theatre
5.0★ ★ ★ ★ ★
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Tejas Verdes

In 1973, the democratically elected socialist government of Chile was overthrown by a military coup; the new authoritarian government, led by General ...
English National Ballets Nutcracker. Photo © Laurent Liotardo
4.0★ ★ ★ ★
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Nutcracker

English National Ballet’s Nutcracker attempts to present a traditional ballet with a darker edge; the Mouse King returns throughout, his presence felt...
King Lear by the Royal Shakespeare Company 2016
5.0★ ★ ★ ★ ★
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King Lear

King Lear is one of Shakespeare’s bleakest plays: revolving around broken family ties, jealousy, betrayal, corruption, and madness, it addresses the p...
Anna Karenina at Theatro Technis
3.0★ ★ ★
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Anna Karenina

Art-Vic’s new production of Anna Karenina is performed without a set, against a black backdrop decorated with train track patterns. Before the play ev...
3.0★ ★ ★
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The Slave

LeRoi Jones’ play The Slave is described as ‘angry, passionate, and unapologetic’; unfortunately, in this production at least, this passion does not m...
War Paint at Camden People’s Theatre
4.0★ ★ ★ ★
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War Paint

War Paint is an immersive theatrical experience located in a Marylebone flat; the audience is invited to walk through the space and observe four women...
dreamplay at The Vaults
3.0★ ★ ★
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dreamplay

BAZ Productions’ dreamplay promises us a ‘dream-journey to find the door behind which everything is answered.’ Unfortunately, although perhaps unsurpr...
Roundabout Theatre’s Cabaret at Golden Gate Theater, San Francisco
4.0★ ★ ★ ★
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Cabaret

Sam Mendes and Rob Marshall’s production of Cabaret, first performed on Broadway in 1998 and revived at Studio 54 in 2014, is renowned for its innovat...
Romeo and Juliet American Ballet Theatre, Metropolitan Opera, new York
3.0★ ★ ★
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Romeo and Juliet

Now, these hot days, is the mad blood stirring. So says Benvolio in Act III of Shakespeare’s Romeo and Juliet; throughout the play, repeated reference...