Oscar has a love of new theatre, written or otherwise. He's a designer for Crooked Tree Theatre Company (Purveyors of Poor Taste), who performed recently at The Hen and Chickens. Oscar's work has shown at the Old Red Lion and Camden People's Theatre. He's also a traditional illustrator, mask-maker, and an English/Drama graduate of Royal Holloway, University of London.
Frankenstein’s gripping story of hubris, humanity and revenge has captured the imagination since 1818. The majority of dramatic adaptations focus on t...
A new piece that fits the farcical fashion of twisting and warping a familiar concept, Raising Martha is a fine comedy that takes the traditional host...
Trainspotting is one of the largest cultural icons of the 1990’s, a ferocious, unflinching and rambling account of heroin addicts in Edinburgh. With a...
British Summertime rears its contrary head once again, and London’s open spaces are tentatively starting to stage open-air theatre in all its glory, i...
Repetition, mutation, evolution. puts language, delivery and gesture through four human components to create an ever-flowing process that is intricat...
To tell a tale that’s true, even when it isn’t, with charm, depth and humour is an impressive thing. On the Edge of Me is the tale of Remi (Yolanda Me...
Rules can be bent for special cases, but at what point do those rules have to start applying? And why can those rules be bent? That is one of the many...
These table top Shakespeare’s are perfect for getting quickly acquainted with all the plays of the bard. Obviously a full production would be best, bu...
The objects signifying the characters of Loves Labours Lost are taken off the full shelves framing the stage, and arranged on boxes behind the central...
