Rivka Jacobson, founder of playstosee.com.
Passion for theatre and years spent defending immigrants and asylum seekers in UK courts fuelled her determination
to establish a platform for international theatre reviews.
Rivka’s aim is to provide people of all ages, from all backgrounds, and indeed all countries with opportunities to see and review a diverse range of shows and productions. She is particularly keen to encourage young critics to engage with all aspects of theatre. She hopes to nurture understanding and tolerance across different cultures through the performing arts.
Hampstead Theatre management and staff deserve full marks for securing a safe auditorium in the current Covid-19 pandemic. The theatre follows the gov...
The journey of the dreadlocked Idan Raichel, in his early twenties, composing music on his synthesizers from his parents’ Tel Aviv basement, to Idan R...
It was a sheer coincidence that the person seated next to me at the Trafalgar Studios 2 was no other than Adam Spreadbury-Maher, the director of the s...
Take two of Puccini’s most popular operas – Tosca and La Boheme and reduce them into one hour each, edit music and narrative and you get ‘opera undone...
At the Monaco Opera House, the 2019 season opens with Donizetti’s opera ‘Lucia di Lammermoor’, known as a tragic drama in two parts. Roberto Abbado co...
Jean-Louis Grinda is the director of the Opera House in Monte Carlo. His boss is Caroline, Princess of Hanover, he explains with a smile and hastens t...
Olga Peretyatko’s debut performance as Norina in the current performance of Donizetti’s comic masterpiece, Don Pasquale, at the Royal Opera House is a...
At the age of just 25, Natasha Kafka is performing at the Royal Opera House at the Linbury Theatre in Zuberland (Magic Land) as part of the four actor...
In Alexander Zeldin's new play Faith, Hope and Charity, the auditorium and stage are fused into one large hall, fully lit. A microcosm of society, whe...
