A couple of years ago Sam resigned to the fact that he was not going to make it as a professional footballer. Now, studying in the final year of his undergraduate degree of English Language and Literature at University College London, he is passionate about a broad range of literature. In particular, he loves the works of Pinter, Stoppard and all of the crazy twentieth century absurdist dramas. Sam also writes and performs poetry around London, and also enjoys making music with his band, Connor’s Yoghurt.
Re:Write is an exciting project which aims to showcase new London writing. After the sold-out success of Re:Awakened (July 2016), the team returned to...
Pigeon English fizzes with intensity and promises everything we should expect from a National Youth Theatre production. Alongside Romeo and Juliet and...
It felt apt that the Welsh football team were dismantling European heavyweights Belgium in the Euro 2016 quarter-final match in the pub below the Old ...
The Local Stigmatic still resonates. Director Michael Toumey confronts us with Heathcote Williams’ aggressive, vitriolic and pulsating drama on its fi...
Zimbabwe, 1998. Eighteen years after the country secured its independence from British colonial rule. The Mugabe government is enforcing land-reclamat...
Tennessee Williams’ 1969 play, In the Bar of a Tokyo Hotel is rarely performed, and after watching, I think there is some reasoning behind that. It is...
The BBC recently condensed Tolstoy’s epic War and Peace into six one-hour long episodes. The ever-ambitious Arrows and Traps Theatre Company have foll...
Sunday 12pm-2pm. We enter the sixth and final day of Forced Entertainment’s titanic project- presenting all but one of Shakespeare’s dramas in the Bar...
I read an interesting article a while ago in which the exciting director, Robert Icke, discussed theatre’s challenge to compete with TV shows such as ...
