Strings of Brilliance: Pavel Å porcl and the ECO Ensemble Tim Hochstrasser 02/12/2025Holy Sepulchre Church is the National Musicians’ Church, and therefore a very appropriate venue for the final event in the...
David Copperfield Tim Hochstrasser 27/11/2025I confess I often approach Christmas theatre in London with a touch of dread, as a reviewer who is mostly...
Handel’s Chandos Anthems Tim Hochstrasser 22/11/2025When I first started attending opera Handel was a rarity, still unfairly weighed down by the fusty, mothballed performance tradition...
Jobsworth Tim Hochstrasser 22/11/2025Transitions from Edinburgh to London are very common these days, but not so easy to bring off. A short-form bravura...
Marking Time Tim Hochstrasser 22/11/2025Marking Time offers a revealing pun in its title, referencing both the delay to the project caused by Covid and...
L’Indiscipline Tim Hochstrasser 18/11/2025Gathered up in the complex underskirts of the stations behind the Euston Road, Theatro Technis is easy to overlook. But...
Fatherland Tim Hochstrasser 11/11/2025It is not often, these days, that you have the author of a play also taking on one of the...
Der Wald & Lucrezia Tim Hochstrasser 11/11/2025Any Conservatory needs to offer stage experience to as many students as possible, and one-act operas represent an excellent way...
The Protecting Veil Tim Hochstrasser 30/10/2025How do you make religious mysticism credible in concert performance? This is the challenge in performances of John Tavener’s masterpiece...
Black Sabbath – The Ballet Tim Hochstrasser 24/10/2025This full-length three act ballet first saw the light of day in 2023, when it was a huge and, perhaps,...
