Tim Hochstrasser is a historian teaching early modern intellectual and cultural history at the LSE. He has a long-standing commitment to the visual, musical and dramatic arts, and opera above all, as a unifying and inspiring vehicle for all of them.
The Guildhall School has in recent years revived many one-act operas – a strategy that ensures as many roles as possible for the students and introduc...
‘Tangle’ is a touring company devoted to showcasing African and Caribbean excellence. This current tour, culminating in London this month, brings thei...
David Ireland has had a very fruitful relationship with the Finborough Theatre in recent years and so it is no surprise that after a first outing in G...
Both United Strings of Europe and Gandini Juggling have developed strong reputations in recent years for original and innovative programming, the form...
After the success of her ‘James Trilogy’ any new historical drama by Rona Munro arrives with high expectations. Building on the insight that Scotland ...
In 2014 countertenor Iestyn Davies and lutenist Thomas Dunford recorded a CD devoted to the songs and lute works of John Dowland. Director Netia Jones...
Through the medium of the ‘Graceland’ album and the international fame of Ladysmith Black Mambazo we think we are familiar with the sound world of Sou...
Jack Thorne’s play originated at the Edinburgh Fringe before touring widely in 2017. But for most likely audience members this will be a new play. It ...
Peter Gill offers us here a gentle, subtle memory play focused on two elderly gentlemen looking back on their lives in a mixture of wry regrets and pa...
I was fortunate enough to review ‘Immortal Tango’ at the Peacock back in 2016, and here the same team present another superlative show that slides pas...
