Tim Hochstrasser is a historian teaching early modern intellectual and cultural history at the LSE. He has a long-standing commitment to the visual, musical and dramatic arts, and opera above all, as a unifying and inspiring vehicle for all of them.
As part of the London Mime Festival the renowned group, Gandini Juggling, bring their new show to Sadler’s Wells for a brief run. This work is a wholl...
The title of this full-length, three-part ballet is somewhat coy and misleading. While not a full narrative account of Dante’s ‘Divine Comedy’ it is e...
This opera was Verdi’s breakthrough work in 1842, setting the pattern for many of his preoccupations and emphases in the decades to come. It explores ...
‘Peggy for You’ is revived as part of the Hampstead Theatre’s retrospective season, gathering together some of its most successful new plays of the la...
The Orange Tree Theatre scored a great success with this Rattigan revival back in 2019, and you can immediately see why. It is, like all of this write...
Like Bernard Shaw a century ago, Ella Road likes to take important and difficult social issues, place them in the dramatic spotlight, and examine ever...
This solo work originated as part of the national cultural commemorations for World War One, 14-18 NOW. It returns to Sadler’s Wells as part of ‘Carni...
Panto is its own art form, and not an easy one to get right. Whether you are aiming at children or adults you must observe the tried and tested formu...
The Akram Khan Company returns to Sadler’s Wells with a season of works, both old and new, under the umbrella title ‘Carnival of Shadows’. First up is...
Karen Ruimy has had a remarkable life. Born to a Jewish family in Morocco and then educated in France, she first worked with great success with Finaco...
