Tim Hochstrasser is a historian teaching early modern intellectual and cultural history at the LSE. He has a long-standing commitment to the visual, musical and dramatic arts, and opera above all, as a unifying and inspiring vehicle for all of them.
This year’s Grimeborn festival came to an end on Sunday with an uplifting survey of the career and work of Astor Piazzolla from the new four-person co...
There are often good grounds to be wary of plays centred on the lives of historical figures. The balance between ‘telling’ and ‘showing’ is notoriousl...
Back in 2019 Grimeborn began its exploration of Wagner’s Ring cycle with the inspired idea of reviving the reduced-scale version devised by Jonathan D...
This tragicomedy from 1994 is set in the early 1980s as the impact of HIV/AIDS becomes felt in the London gay community. It takes the lives of three g...
We are very familiar with Mascagni’s first opera ‘Cavalleria Rusticana’, from whose successful shadow he strove in vain to escape for much of his late...
Rather like ‘The Marriage of Figaro’, this opera is fairly indestructible in any production. As environmental awareness has grown so this parable abou...
‘Quick Fantastic’ lifted spirits last summer with their production of ‘A Little Night Music', and they did so again with their revival of Bernstein’s ...
While the Donmar Theatre is closed for refurbishment, artist director Michael Longhurst continues productions elsewhere, and in this case a revival of...
This famous verse drama by Dylan Thomas was first produced as a radio play in 1954,
receiving many adaptations since then, as well as becoming a stap...
