The set for the Canadian premiere of Caryl Churchill’s 2016 one-act play Escaped Alone—a spare, well-lit rectangle of floor space flanked on both side...
It’s difficult to point out what it was, exactly, about this afternoon’s performance of Onegin that didn’t quite take flight. The minimalist productio...
It’s difficult to point out what it was, exactly, about this afternoon’s performance of Onegin that didn’t quite take flight. The minimalist productio...
One might dub 2018 the year of Robert Lepage. March saw the reprisal of his spectacular production for the Canadian Opera Company, The Nightingale and...
Whether you are a child, a casual visitor to the theatre, or a Shakespeare buff, Antoni Cimolino’s new production of Shakespeare’s The Tempest will de...
The COC wraps up Donizetti’s Tudor trilogy with a new production of Anna Bolena, the tragic bel canto opera based loosely on the life of Anne Boleyn. ...
It was with something akin to despair that I realized I was coming down with the flu two days before opening night for the COC’s revival of the famed ...
What would truth and reconciliation look like, sound like, feel like, if it arrived through the body-knowledge of Indigenous, Black and Of Colour arti...
The COCs new production of Mozart’s The Abduction from the Seraglio attempts much, but delivers little. The production, at first glance, seems replete...
