On the night I arrive at Lulu Popplewell: The Humble Bumhole she greets the audience at the door with her dog (who’s name, forgive me, I did not catch...
John-Luke Roberts is a master, and in After Me Comes the Flood (But in French) drip splosh splash drip BLUBBP BLUBBP BLUBBPBLUBBPBLUBBP!! he is at the...
Watching Joshua Ladgrove feels like mining the gold seam of character comedy. Known for portraying Neal Portenza, who recently announced his retiremen...
In 2012 in Liège, Ihsane Jarfi was brutally and senselessly murdered. La Reprise: Histoire(s) du théâtre (I) positions itself as a production that unp...
The Duchess (of Malfi) is writer/director Zinnie Harris’ modern take on John Webster’s bloody Jacobean revenge tragedy. It tells of titular Duchess Gi...
Ibsen’s A Doll’s House is a play which has had audiences speak about for centuries since its first performance in 1879, where his iconic protagonist N...
Local Hero opens with big-shot, hard-nosed oil executive Mac pitching up in the little Scottish village of Ferness and offering to buy the land lock, ...
Jo Clifford’s vital re-envisioning of The Taming of the Shrew examines the darker underbelly of current explorations of gender and sexuality. In an es...
