In a small island town on the far eastern coast of Canada, the “plane people” arrived in the midst of indescribable chaos. On September 11, 2001, four planes were hijacked—three of which struck significant U.S. landmarks, including the Pentagon and the World Trade Centre. In response, all air traffic was grounded, forcing 6,500 passengers to be diverted to Gander, a town of just 10,000 residents. What followed was a remarkable effort, as the community rallied together to accommodate the unexpected influx of passengers, animals, and the overwhelming uncertainty of the moment.
Come From Away is a musical that brings to life the true story of the people in the town of Gander. Amid the chaos and uncertainty of a distressing time, the show is infused with themes of love, compassion, and resilience. Its powerful message is one of unity, emphasizing connection and kindness over division.
A memorable performance by a vibrant cast, the show manages to bring a light-hearted touch to a story born from a heartbreaking moment in history. The performers skilfully break the fourth wall, sharing the narrative through reflections on their fears and personal experiences. Many characters are inspired by real people, with one particularly touching storyline being that of Nick and Diane, two passengers who found themselves in Gander during the crisis. Despite coming from different continents, they formed a connection in the midst of chaos and ultimately fell in love, going on to marry after the events.
The story sheds light on the racism directed at individuals of Middle Eastern descent during the 9/11 attacks, revealing how fear and prejudice can arise in moments of crisis. This is important for raising awareness about how stereotypes and discrimination can intensify during times of collective trauma, reminding us of the need for empathy and caution in avoiding harmful assumptions, especially in critical situations.
Captain Beverley Bass (Sara Poyzer) delivered a standout vocal performance that leaves a lasting impression. The entire cast was exceptional, each with strong, musical-ready voices that complemented their roles beautifully. While the show didn’t feature much dancing, the creative use of props, particularly the chairs, added energy and movement to the performance. Combined with the thoughtful lighting and set design, these elements perfectly captured the charm of a small town, making Gander feel both welcoming and homey.
Overall, Come From Away is a brilliantly crafted musical that captures the heart of a community and its response to an unimaginable crisis. The songs, particularly the catchy and energetic “Welcome to the Rock,” are all thoughtfully placed, each adding depth and meaning to the story without feeling unnecessary. The music, combined with the genuine performances and clever use of set and props, keeps the audience engaged from start to finish. Despite the serious backdrop, the show carries a hopeful, uplifting vibe, and the production is polished and dynamic, making for an unforgettable theatrical experience.
Directed by Christopher Ashley
Venue: New Wimbledon Theatre