After a sell-out run in Edinburgh, 5, Soldiers, by the Rosie Kay Dance Company in collaboration with the British Army and Sadler’s Wells, comes to Lon...
Gender fuck(er), a co-creation with British choreographer Graham Adney and Israeli choreographer Keren Rosenberg, kicks off. It might be the joker in ...
Upstage right a block of light falls on a female dancer creating first steps, first balances. Ritual, repetitive poses render the body fluid and sinew...
Billy Smart’s Circus it isn’t, but smart Scarabeus’ Depths of My Mind is. It is part of Polka Theatre’s Brain Waves Festival at the Brit School, Croyd...
Scottish Ballet’s double bill of UK premieres at the Edinburgh International Festival offers two brooding, uncompromising contemporary pieces. First i...
Alan Cumming’s ‘Sappy Songs’ at The Hub is a treat from start to finish. A consummate entertainer, Cumming regales with tall and no so tall tales abou...
Every Brilliant Thing is Duncan Macmillan’s poignant script about coping with suicide: a young boy makes lists for his mother as to the reasons why sh...
Daffodils at the Traverse follows writer Rochelle Bright's parents as they meet at the same spot as her grandparents: a bed of daffodils by a lake in ...
Love Lies and Taxidermy is the best of titles. It’s also a cracking good yarn and beautifully executed in a three-hander by Remy Beasley, Richard Corg...
