After obtaining a Film Studies degree at La Sorbonne Nouvelle, Emilie is now studying French literature in the same university. As a photographer and film director, she is particularly interested in the links between images and living performance.
For my first time seeing Tchaikovsky’s legendary Swan Lake, I was expecting to be enchanted by the ballet’s almost mystical atmosphere. The St. Peters...
At first glance, the setting of Burgerz can seem quite odd: a huge, closed wooden box with the title of the play written on it is in the middle of the...
Set in a sea-view cottage on an island off the Southern coast of Ireland, The Beacon immediately plunges the spectator in its atmosphere before it eve...
At this year’s edition of the Dublin Fringe Festival, Irish dancer Rachel Ní Bhraonaín presented her new piece, a clever mix of drama and dance called...
As the title of this new Dead Center/Gate theatre production indicates, it is a play about a place. Indeed, the only actual living creature seen on st...
According to its writer, director, and performer Myriam Saduis, Final Cut should not be called a show, and not even a performance. Instead, she sugges...
Tommy Milliot, the young French director and founder of the Man Haast company, is particularly interested in directing plays by contemporary authors. ...
This year, at the Avignon ‘In’ festival, a show with a curious name is presented: it is called Lewis versus Alice. Macha Makeïeff, the director of the...
This summer, for his first time in Avignon, British choreographer Wayne McGregor presents his Autobiography in the beautiful Cour du Lycée Saint-Josep...
When you go to see a play that is called La Solitude du Coureur de Fond (The Loneliness of the Long-distance Runner), the first thing you would expect...
