After obtaining a Film Studies degree at La Sorbonne Nouvelle, Emilie is now studying French literature in the same university. As a photographer and film director, she is particularly interested in the links between images and living performance.
This season at the Opera Bastille nearly comes to its end with a refreshing production of Gioacchino Rossini’s opera buffa The Barber of Seville. Dire...
Is 2022 the year the Comédie Française goes camp? With Sébastien Pouderoux and Stéphane Varupenne's new adaptation of Les Précieuses Ridicules, it see...
For the 400th birthday of the iconic French playwright Molière, the Comédie Française pays homage to the man who started it all. This season is indeed...
This season, the legendary Comédie Française takes on Dostoyevsky. Barely two years after Ivo Van Hove’s majestic and disturbing adaptation of The Dam...
The first striking thing about coming to see a Congolese play directed by a Burkinabe artist and starring actors from all over Africa, at the Odeon Th...
For my first time going back to the theatre in months, I was in a good mood and hoping to see something that would make me escape reality for two hour...
‘I am trapped in a myth that is not mine’, says a jaded Eurydice. This is perhaps the line that captures best the essence of this adaptation and reint...
The Crazy and Outrageous History of Women is a play whose title is impressive and full of promises. It starts in a very direct and powerful way: the p...
Les Amis de Paul is a play built around the theme of violence, and it is divided into two parts: the first one occurs in an unnamed ex-Soviet country,...
In these times of pandemic uncertainty, some small Parisian theatres stay open but have to welcome a very limited number of spectators. Such condition...
