After obtaining a Film Studies degree at La Sorbonne Nouvelle, Emilie is now studying French literature in the same university. As a photographer and film director, she is particularly interested in the links between images and living performance.
‘I am trapped in a myth that is not mine’, says a jaded Eurydice. This is perhaps the line that captures best the essence of this adaptation and reint...
The Crazy and Outrageous History of Women is a play whose title is impressive and full of promises. It starts in a very direct and powerful way: the p...
Les Amis de Paul is a play built around the theme of violence, and it is divided into two parts: the first one occurs in an unnamed ex-Soviet country,...
In these times of pandemic uncertainty, some small Parisian theatres stay open but have to welcome a very limited number of spectators. Such condition...
For my first time seeing Tchaikovsky’s legendary Swan Lake, I was expecting to be enchanted by the ballet’s almost mystical atmosphere. The St. Peters...
At first glance, the setting of Burgerz can seem quite odd: a huge, closed wooden box with the title of the play written on it is in the middle of the...
Set in a sea-view cottage on an island off the Southern coast of Ireland, The Beacon immediately plunges the spectator in its atmosphere before it eve...
At this year’s edition of the Dublin Fringe Festival, Irish dancer Rachel Ní Bhraonaín presented her new piece, a clever mix of drama and dance called...
As the title of this new Dead Center/Gate theatre production indicates, it is a play about a place. Indeed, the only actual living creature seen on st...
According to its writer, director, and performer Myriam Saduis, Final Cut should not be called a show, and not even a performance. Instead, she sugges...
