After obtaining a Film Studies degree at La Sorbonne Nouvelle, Emilie is now studying French literature in the same university. As a photographer and film director, she is particularly interested in the links between images and living performance.
When you go to see a play that is called La Solitude du Coureur de Fond (The Loneliness of the Long-distance Runner), the first thing you would expect...
It is quite rare to see works of science-fiction adapted to the stage these days: it is not considered as a noble genre, and the development of large ...
This year, at the Avignon ‘Off’ festival, Jacques Osinski’s take on La Dernière Bande provokes a particular excitement. When I enter the Théâtre des H...
When I first read about Seasonal Affective Disorder and its Bonnie and Clyde-esque story, I was curious to see how this tale of lovers on the run was ...
One of the highlights of this year’s “In” edition of the Avignon Festival is avant-garde director Meng Jinghui’s adaptation of The Teahouse, a major C...
Molière’s Le Misanthrope is a French classic from 1666, and its main character Alceste is one of the most famous characters in French theatre. In Clém...
The show begins when the ushers were still giving out programmes to the audience: the music composed by Jamie XX begins with a noise that could be mis...
Inflammation du verbe vivre is a play written and directed by Canadian-Lebanese artist Wajdi Mouawad, in which he is the only person acting on stage. ...
Mary said what she said is an eighty minute long monologue performed by Isabelle Huppert, in which she embodies a more and more disturbed Mary Stuart....
A few nights ago, I had a date with Serge at the Studio-Théâtre, the smallest theater of the Comédie Française. Serge was not just one person, there w...
