Kate is a performer/director who studied at the London International School of Performing Arts (LISPA). She has produced and directed a variety of fringe productions, including Glass-Eye Theatre’s ‘The City and Iris’ for Edinburgh Fringe 2010 and Theatre of Inspiration’s bi-monthly scratch night PHYSICAL. Currently, she is working on her first solo clown show for Edinburgh Fringe 2015. Since a wee thing, she has written short stories, song lyrics and poetry, of varying quality, and was even published in a Reader’s Digest anthology with a piece about the death of her first hamster. Reviewing for Plays To See combines two of her primary loves.
I’ll confess it’s been a while since I was awed by the inventive and passionate storytelling of NIE. I’ll also admit that my previous encounters with ...
See What I Wanna See is Michael John LaChiusa’s work inspired by 3 Ryunosuke Akutagawa short stories and a desire to push the boundaries of the Musica...
Multiple character roles, lighting quick costume changes and a flair for improvising early 19th century dialogue comprise the extraordinary feat that ...
What a touching piece Mathilda Gregory’s reflections on being a fat woman is. Being fat or other people’s fatness is a sensitive subject for some, so ...
Just when you think you haven't been treated to enough silliness at the festival, you find yourself in the basement of Roxy Assembly watching Jamie Wo...
Told with a nightmare’s logic Siobhán Daly and Bruce Guthrie’s production of Manfred Karge’s modern fairytale, is a compelling exploration of survivin...
Winner of the coveted Fringe First award (2015) Daniel Bye’s Going Viral explores the human responses to the weird and predictable behaviours of viral...
It’s a good thing if an Edinburgh Fringe show immediately invites an audience in to the atmosphere of its opening scene. Even before the action starts...
Kate Sagovsky is the Artistic Director of Moving Dust, an emerging multi-disciplinary performance company. John Fitzpatrick is a playwright and associ...
Emblazoned across the advertisements for Richard Bean’s revived production of The Mentalists are all the reasons it should be a success. Success it mo...
