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Summerhall, Edinburgh

Winner of the coveted Fringe First award (2015) Daniel Bye’s Going Viral explores the human responses to the weird and predictable behaviours of viral epidemics. Part fiction, part informal biology lecture, Bye is in turns the Brian Cox of educational theatre and the engaging, gently humorous raconteur you’d be at home having a pint with. Through dressed down storytelling and simple visual devices, he mirrors hysteria in our state of global connectivity with the spread of disease. Within its gaze, the show also comments on the privilege of wealth in times of crisis, and how protecting ourselves can often end up meaning isolation from human contact in all its forms.

It’s a sensory production; we’re given the opportunity to disinfect our hands with gel and smell the aroma from the onion Bye chops in effort to make himself cry. Pink liquorice all sorts, standing in for his demonstration on the singular cells of a virus, remain an eerie visual symbol of mutation throughout. The simplicity of the haunting singular note sound design, punctuating scenes and underscoring moments within the hysteria, demonstrates how little a performance needs to be effective.

The strength is in Bye’s manner, his ability to assure his audience during his interactions with us and his carefulness with the details of the narrative. Whilst he changes character the natural humour of his stage persona doesn’t abandon us, even in the dark moments. Sadly, the energy of the story drops towards the middle of the 70 minutes and it feels as though the form he’s adopted gets a little tired of itself. The pace quickly recovers, however, and I’m chilled by the final image of our man, the host of the virus, desperately rubbing disinfectant gel into his arms as the lights fade out.

This show doesn’t take itself too seriously, whilst posing pertinent questions, and I can say I’ve learnt some fascinating facts about viruses. I can’t say I haven’t seen anything like Going Viral before but strangely enough, in light of the subject matter, Bye’s gift for telling this story manages to create a welcome refuge in the festival and supplies plenty of food for thought.

  • Comedy
  • Written and Performed by Daniel Bye
  • Directed by Dick Bonham
  • Summerhall, Edinburgh
  • Until 30 August 2015
  • Time: 14.10 (70 minutes)
  • Review by Kate Mounce
  • 23 August 2015

About The Author

Reviewer (UK)

Kate is a performer/director who studied at the London International School of Performing Arts (LISPA). She has produced and directed a variety of fringe productions, including Glass-Eye Theatre’s ‘The City and Iris’ for Edinburgh Fringe 2010 and Theatre of Inspiration’s bi-monthly scratch night PHYSICAL. Currently, she is working on her first solo clown show for Edinburgh Fringe 2015. Since a wee thing, she has written short stories, song lyrics and poetry, of varying quality, and was even published in a Reader’s Digest anthology with a piece about the death of her first hamster. Reviewing for Plays To See combines two of her primary loves.

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