Owen Davies was brought up in London but has Welsh roots. He was raised on chapel hymns, Handel oratorios and Mozart arias. He began going to the theatre in the 1960s and, as a teenager, used to stand at the back of the Old Vic stalls to watch Olivier's National Theatre productions. He also saw many RSC productions at the Aldwych in the 1960s. At this time he also began to see operas at Covent Garden and developed a love for Mozart, Verdi and Richard Strauss. After a career as a social worker and a trade union officer, Owen has retired from paid employment but is a student at Rose Bruford College studying for a BA in Opera Studies.
This intriguing one-man show is about identity, anxiety, and self-confidence. Through the medium of a brief series of snapshots of a young man’s life,...
This splendid production of Carmen shows off the substantial talents of the Welsh National Opera team at their best. It is an opera that all too often...
Some say that Mozart’s revolutionary opera, The Marriage of Figaro, should really be called The Marriage of Susanna. Welsh National Opera’s enjoyable ...
This production of Madam Butterfly, created by film maker Anthony Minghella, was first seen at English National Opera in 2005. It is visually stunning...
Musica Antica Rotherhithe is a group of enterprising young performers who mostly perform rare pieces of music from the baroque period. This beautiful ...
The Arcola describes this new play by Jack Shepherd as a “tragicomedy about life, money and art”. Shepherd has had a long and productive association w...
This extraordinary production of The Magic Flute was first performed in Germany in 2012 and has since travelled around the world – but sadly never to ...
The Haystack is the first full-length play written by Al Blyth and it is a gripping thriller about the conflict between investigative journalism and t...
Battersea Arts Centre (BAC) has a new director, Tarek Iskander, and he has launched a season called Going Global. If Autoreverse is a trailblazer for ...
La Calisto is a bit of baroque soap opera – but with nymphs and satyrs rather than barmaids and hooligans. Francesco Cavalli wrote it for the Venice C...
