Owen Davies was brought up in London but has Welsh roots. He was raised on chapel hymns, Handel oratorios and Mozart arias. He began going to the theatre in the 1960s and, as a teenager, used to stand at the back of the Old Vic stalls to watch Olivier's National Theatre productions. He also saw many RSC productions at the Aldwych in the 1960s. At this time he also began to see operas at Covent Garden and developed a love for Mozart, Verdi, and Richard Strauss. After a career as a social worker and a trade union officer, Owen has retired from paid employment but as a 'mature student' he has recently gained a certificate in Opera Studies from Rose Bruford College.
This utterly absorbing retelling of The Magic Flute is a triumph for Opera Alegria – and for the Arcola Theatre's Grimeborn season. I must confess to ...
The Baseless Fabric company exists to bring theatre and opera to public spaces and to give new audiences the chance to experience performances that th...
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Johann Hasse was one of the most popular opera composers of the eighteenth century. He died in 1783 (just 8 years before Mozart's death) but he was 84...
This Welsh National Opera production of Don Giovanni has many merits - a fine orchestra, a bold design, some wonderful singing. It offers a convincin...
Marcio da Silva's groundbreaking company Ensemble Orquesta (EO) is fast developing an enviable reputation for bringing rare baroque treasures to the o...
Mozart's masterpiece, the Marriage of Figaro, is a work of such musical beauty and comic invention that it can always be counted on to charm an audien...