Tenor Antonello Palombi in conversation with Irina Antesberger Irina Antesberger [Age: 16] Interviews 27/03/2017
Reviewer's Rating Honors Students Gillian Russo 28/10/2018The set of Mariah MacCarthy’s Honors Students at Wild Project greets you with pops of color: a bright triad of...
Reviewer's Rating Hadrian Aparna Halpé 22/10/2018The Canadian Opera Company’s new commission, Hadrian, proves without doubt that Contemporary Canadian Opera is alive and very well indeed....
Reviewer's rating Les Bonnes Chloe Darnaud 20/10/2018Settling into the nearly empty Pixel theatre in Paris, the décor announces the colour of Jean Genet’s one-act play: a...
Reviewer's Rating Your Invisible Corset Austin Fimmano 19/10/2018With the spooky season in full swing, a modern, female-oriented take on Bram Stoker’s Dracula sounds like just the show...
Reviewer's Rating Measure for Measure Colin Macdonald 19/10/2018Moscow’s Pushkin Theatre and London’s Cheek by Jowl join forces in staging one of Shakespeare’s knottiest works for BAM’s Next...
Reviewer's Rating Rigoletto Alessandro Zummo 19/10/2018The controversial Victor Hugo’s play, Le roi s’amuse, offered Verdi the opportunity to break with the Italian operatic tradition of...
Reviewer's Rating Mother Night Gillian Russo 19/10/2018The lights come up on a man sitting in prison, writing his memoirs in the face of likely impending death....
Reviewer's Rating Salome Austin Fimmano 17/10/2018Oscar Wilde’s Salome has been the inspiration for countless works of art, film, and even an opera. The story, which...
Reviewer's Rating Hitler’s Tasters Ann Pryor 15/10/2018A thoughtful black comedy set in a cinderblock room, Hitler’s Tasters concerns a set of girls who have been given...
Reviewer's Rating Eugene Onegin Aparna Halpé 11/10/2018It’s difficult to point out what it was, exactly, about this afternoon’s performance of Onegin that didn’t quite take flight....