Reviewer's rating Touch Austin Fimmano 27/08/2016ostalgia and grief spill from each expertly-crafted line of Toni Press-Coffman’s Touch. Against a backdrop of cardboard boxes, packing tape,...
Reviewer's Rating Tristan und Isolde Tony Cooper 22/08/2016his production of Tristan und Isolde by Katharina Wagner first saw the light of day at last year’s festival immediately...
Reviewer's Rating Parsifal Tony Cooper 20/08/2016pecifically written for the Festspielhaus, Wagner described Parsifal as ‘ein Bühnenweihfestspiel’ (A Festival Play for the Consecration of the Stage)...
Reviewer's Rating Der Fliegende Holländer Tony Cooper 20/08/2016agner’s first mature opera written in 1841, Der fliegende Holländer is directed with great flair and imagination by the German...
Reviewer's Rating That Which Isn’t Austin Fimmano 17/08/2016n Brooklyn, Matthew Freeman’s new play That Which Isn’t sets itself up to delve into the intricacies of human relationships....
Reviewer's Rating Cold Blood Marianna Papaki 17/08/2016ow tempting can a play about death be to watch, especially in the height of summer in Athens? If it’s...
Reviewer's rating A Midsummer Night’s Dream Rebecca Coates 11/08/2016omedy star Phill Jupitus is the big-name draw for this production, and he tackles the role of Bottom with appropriate...
Reviewer's Rating Alice in Black and White Elizabeth Bove 10/08/2016efore there was Diane Arbus, before Vivian Maier, there was Alice Austen of Clear Comfort, Staten Island. She had an...
Reviewer's Rating The Tempest Rowena Hawkins 05/08/2016here is no great storm at the beginning of Anna Augustynowicz’s production of The Tempest for Polish company Teatr Współezesny...
Reviewer's Rating HamletMachine Rowena Hawkins 04/08/2016e wanted to do Müller’s play, explains Gil Alon (in Hebrew), before slipping into the role of Hamlet, “but Shakespeare’s...
