Reviewer's rating Revolt. She said. Revolt again Luke Davies 29/08/2016lice’s Birch’s 2014 play is a transfer from the Making Mischief season at the RSC: a collection of four new plays about language, race...
Reviewer's rating Diary of a Madman Luke Davies 29/08/2016l Smith’s Diary of a Madman is an adaptation of Gogol’s short story, reimagined as a play about Scottish nationalism...
Reviewer's rating World Without Us Luke Davies 29/08/2016ntroerend Goed’s World Without Us, as the title suggests, imagines a world in which humans have vanished. Planes continue to...
Reviewer's rating Much Ado About Nothing Rowena Hawkins 29/08/2016idden between the handbags and the kitchenware on the Lower Ground floor of a large Oxford Street department store is...
Reviewer's rating Touch Austin Fimmano 27/08/2016ostalgia and grief spill from each expertly-crafted line of Toni Press-Coffman’s Touch. Against a backdrop of cardboard boxes, packing tape,...
Reviewer's Rating Tristan und Isolde Tony Cooper 22/08/2016his production of Tristan und Isolde by Katharina Wagner first saw the light of day at last year’s festival immediately...
Reviewer's Rating Parsifal Tony Cooper 20/08/2016pecifically written for the Festspielhaus, Wagner described Parsifal as ‘ein Bühnenweihfestspiel’ (A Festival Play for the Consecration of the Stage)...
Reviewer's Rating Der Fliegende Holländer Tony Cooper 20/08/2016agner’s first mature opera written in 1841, Der fliegende Holländer is directed with great flair and imagination by the German...
Reviewer's Rating That Which Isn’t Austin Fimmano 17/08/2016n Brooklyn, Matthew Freeman’s new play That Which Isn’t sets itself up to delve into the intricacies of human relationships....
Reviewer's Rating Cold Blood Marianna Papaki 17/08/2016ow tempting can a play about death be to watch, especially in the height of summer in Athens? If it’s...
