Reviewer's Rating C. S. Lewis The Screwtape Letters Paul Meltzer 14/01/2016elcome to the “Lowerarchy”. Screwtape is a highly placed (or rather hellishly lowly placed) official in the vast administration of...
Reviewer's Rating niv Acosta: Discotropic Jillian Richardson 13/01/2016hen I see that the COIL festival is hosting a dance performance that explores the relationship between “science fiction, disco,...
Reviewer's Rating The Spinning Wheel Morgaine Segura 12/01/2016living testimony to the Living Theater Movement, in hip-hop. What could go wrong? I am far from an expert on...
Reviewer's Rating Song Jillian Richardson 07/01/2016COIL 2016 Festival t’s typically considered rude to keep your eyes closed during a performance. Yet at SONG, a sound...
Reviewer's Rating Land of Fire Paul Meltzer 22/12/2015e must keep communicating, Land of Fire playwright Mario Diament seems to insist, despite all the blood and pain, hatred...
Reviewer's Rating The Barber of Seville Paul Meltzer 21/12/2015y cheeks still hurt from grinning. This Barber of Seville is giddy, witty fun throughout. Fresh as a Broadway-worthy musical...
Who Left This Fork Here Elizabeth Bove 14/12/2015uring Daniel Fish’s interdisciplinary and complex work, Who Left This Fork Here, I was struck by the admonition given to...
La Donna Del Lago Paul Meltzer 13/12/2015oyce DiDonato’s tone is rich and lustrous as Elena, the ardor-inspiring Lady of the Lake, with a depth and force...
Reviewer's Rating C. S. Lewis’ The Great Divorce Paul Meltzer 04/12/2015. S. Lewis’ The Great Divorce, presented by the Fellowship for the Performing Arts at The Pearl Theatre on Theater...
Reviewer's Rating Baby Jane Dexter: It’s Personal Paul Meltzer 30/11/2015aying Baby Jane Dexter “gives a performance” misses the mark. She holds court. Equal parts Alberta Hunter and Janis Joplin yet one...
