Reviewer's Rating The City That Cried Wolf Paul Meltzer 24/11/2016ou have to at least admire the commitment to the premise. Comedian/actor/playwright Brooks Reeves doggedly mashes up every Grimm’s fairy...
Reviewer's Rating The Tempest Becca Kaplan 23/11/2016our hundred years and the final piece of a legacy, LOFT’s The Tempest celebrates the enduring humanity that Shakespeare has...
Reviewer's Rating Cloud Gate 2 – Triple Bill Pauline Flannery 23/11/2016aiwanese Company, Cloud Gate 2, tear up the rule book. Yes, influences are there – Martha Graham, Merce Cunningham, martial...
Reviewer's Rating The Tempest Mel Cooper 21/11/2016here is a great deal of publicity about the use of contemporary technology that has been applied to make the...
Reviewer's Rating Akram Khan’s Giselle Primrose MacFay 21/11/2016kram Khan’s re-worked “Giselle” at Sadler’s Wells ended with the packed-house audience rising as one with a standing ovation. Many...
Reviewer's Rating Black / what remains and is to come Marine Furet 20/11/2016or this double bill, the Tramway pairs up two performances dealing with space, things, and the traces they leave behind...
Reviewer's Rating 10 Out Of 12 Paul Meltzer 18/11/2016hy do we love a backstage story so much? And this is the ultimate one, if you can even call...
Reviewer's Rating Odissea a / r Eva Lipari 18/11/2016his adaptation of the Odyssey by Emma Dante was premiered at the Festival of Two Worlds in Spoleto, Italy, but...
Reviewer's Rating Institute Harry Tennison 17/11/2016nstitute is a performance I have hunted for some time. I have heard many a good thing about Gecko’s touring...
Reviewer's Rating Terms of Endearment Elizabeth Bove 17/11/2016here is a challenge–seeing a stage adaptation of a screen adaptation with an Oscar award-winning actress based on a Pulitzer-Prize-winning...
