Reviewer's rating An Untitled Love Ben Reiss 24/08/2022The subject of choreographer Kyle Abraham’s new work is clear from the title. Although the dance celebrates the extraordinariness and...
Reviewer's rating The Osmonds Richard McKee 24/08/2022Like C.S. Lewis in a different context, I was “surprised by joy”. Back in the 1970s I was clinging on...
Reviewer's rating The Magic Flute Owen Davies 19/08/2022This utterly absorbing retelling of The Magic Flute is a triumph for Opera Alegria – and for the Arcola Theatre’s...
Reviewer's rating Footloose Richard McKee 17/08/2022This is a curate’s egg of a show. It’s good in parts, indeed very good. But some of it is...
Reviewer's rating Coppélia Ben Reiss 15/08/2022This modern-day reworking of Léo Delibes’ Coppélia is an eerie, propulsive, visually arresting but often infuriating ballet. While the music...
Reviewer's rating Carmen Grimeborn Festival 2022 Owen Davies 12/08/2022The Baseless Fabric company exists to bring theatre and opera to public spaces and to give new audiences the chance...
Reviewer's rating Counting and Cracking Ben Reiss 11/08/2022In Sri Lanka, in July 1983, thousands of Tamil civilians were killed during a week of vicious rioting. This horrific...
Reviewer's rating Monster Emma Burnell 11/08/2022Monster covers a really tough and difficult topic and does so with enormous humanity and real depth. It views a...
Reviewer's rating Closer Emily Louizou 06/08/2022Closer was first performed 25 years ago – in May 1997. I first saw it in Athens in 2008 and...
South Pacific Julie Peakman 06/08/2022Anyone who is a fan of the film South Pacific approaches a new production with some trepidation. Will it be...
