The Hour We Knew Nothing of Each Other is a wildly ambitious piece, with 86 community cast members wordlessly bringing to life 450 characters in just ...
Creditors is an exploration of sex and sexuality, of power and weakness in men and women, of how partners can be consumed by each other. When callow A...
In a nondescript town, a lot like yours or mine, people are changing. They’re behaving in ways you can’t understand, saying things that sound absurd, ...
To send us skipping into spring with a smile on our lips, Edinburgh’s Lyceum Theatre has put on The Belle’s Stratagem, a rollicking, riotous dash thro...
Throughout The Lover, a branch slowly grows and blossoms above the stage, mirroring the blossoming of the autobiographical character in Marguerite Dur...
The stories within stories within The Arabian Nights is an immensely appealing theatrical concept, offering a wealth of opportunities to directors and...
You British don’t understand about Europe, spits a character at the hapless Captain Ridley, a statement seemingly as true now as it was when Cockpit w...
The Birmingham Speech. That is what Enoch Powell termed his diatribe better known to most by the moniker ‘Rivers of Blood’. Powell’s title hid beneath...
Dolly Would combines a love for the country music superstar Dolly Parton with scientific analysis of the cloned sheep Dolly. Louise Mothersole and Reb...
Irvine Welsh, of Trainspotting notoriety, has brought two damp squibs to this year’s Fringe: Performers and Creatives. The former is set in an office ...
