Nowhere is the debut play by actor and activist Khalid Abdalla, partially autobiographical but primarily an exploration of his relationship with Egypt’s revolutions and political upheavals. Abdalla uses his personal experiences to create a broader commentary on the political turmoil of the Arab world.
The play, which labels itself as an ‘antibiography,’ delves into how oppressive political landscapes can erode one’s sense of self, and how unsafe environments can threaten both personal sanity and creative expression. Khalid poignantly remarks that the freedom and community found in the performance space of Nowhere is a rare and unattainable luxury in many parts of the Middle East.
At its core, Nowhere grapples with individual experiences under oppressive Arab regimes, juxtaposed with the tensions faced by those living in Western exile. The play is a tapestry of disparate tangents, each emotionally charged and chosen by Khalid for its relevance to his story, which is both his and not entirely his.
Themes span from his family’s history of political imprisonment, the chaos of the Egyptian revolution, and his bond with a terminally-ill friend, to reflections on 9/11, racial typecasting, the British Empire’s role in history, and the branching paths of fate. More eclectic digressions even touch upon topics like the Louisiana Purchase, AI surveillance, and his role in The Crown. While Khalid’s passion for each subject is undeniable, these elements often feel disconnected, preventing the play from forming a coherent narrative. The play’s social commentary is earnest, but the lack of structure detracts from its overall impact.
The production’s sudden and frequent emotional shifts, from scenes of nostalgic happiness to depictions of authoritarian brutality, can feel jarring and distracting. While it’s clear that Khalid is exploring the contradictions of human experience, this rapid juxtaposition often compromises the gravity of the play’s deeper themes. Spontaneous moments of levity, such as Khalid breaking into dance or experimenting with different accents, although bold and playful, ultimately dilute the message. A more consistent tone and focus on the play’s underlying social injustices might have delivered a stronger impact.
Visually, Nowhere is striking, with a creative blend of digital media, physical props, and Khalid’s physical performance. The use of screens, live camera work, and his raw, interpretive movements create moments of intimacy and power, particularly during scenes where he embodies the suffering of his people.
The lighting design is especially effective, enhancing key moments and symbols fundamental to the play. Despite the structural issues, Khalid’s zeal and creative energy as a first-time playwright shine through, even if the manic shifts in tone occasionally undermine the story he aims to tell.
‘Nowhere’
Play by Khalid Abdalla
Directed by Omar Elerian
Set and Costume Designer: Ti Green
Cast includes Khalid Abdalla
Until 19th October
Running Time: 2hrs 10mins