Set in an unnamed rural community steeped in folklore and mystery, Bellringers introduces us to Aspinall and Clement, two young men charged with an ominous task: ringing the church bell as a storm approaches. This isn’t just any storm—it brings strange phenomena, from rains of fish to unnatural mushroom growth, instilling fear in the locals. The ritual of ringing the bell at the eye of the storm, it seems, is the only way to protect the village from its wrath. Yet, those who have attempted it before were seemingly killed, suggesting the bellringing holds a greater, perhaps supernatural significance.
The play unfolds in a small, dimly lit church room where the bell ropes hang. Over the course of an extended conversation, best friends and confidants Aspinall (Paul Adeyefa) and Clement (Luke Rollason) discuss everything from village gossip to deeper philosophical musings about faith and existence. Clement, the more irreverent and outspoken of the two, is a vocal atheist, while Aspinall’s introspective nature provides a quieter counterpoint, reflecting a more measured view of the world. Their dialogue delves into themes of belief and scepticism, echoing the storm that rages outside.
Natalie Johnson’s set design perfectly complements the eerie, intimate nature of the play. The confined space enhances the feeling of isolation, while the subtle but effective lighting and sound design—flashes of lightning, distant thunder—gradually build tension, adding to the sense of impending doom.
However, the play occasionally falters in its pacing. Some exchanges between the characters feel mundane, as if the audience is eavesdropping on conversations that meander without purpose. Long pauses, seemingly intended to heighten suspense, often fall flat, failing to create the intended tension. While the concept is intriguing and the performances compelling, the execution lacks the tautness necessary to fully grip the audience.
Overall, it was a solid performance, marked by outstanding acting and equally impressive staging. However, the script lacked the climactic punch needed to leave a lasting impact.
Cast includes: Paul Adeyefa and Luke Rollason
Written by: Daisy Hall
Directed by: Jessica Lazar
Venue: Hampstead Theatre
Running time: 1 hour and 20 mins (no interval)
Review by Sofia Moran